May 02, 2004
Yasina
Amritas’s post about “octolingual Michel Thomas” reminded me of my paternal grandmother. She spoke five languages when she emigrated to the United States, none of them English. Her first language was Yiddish, often referred to as Mama Loshen by native speakers. (“Loshen” comes from Hebrew “lashon” – tongue, language. I presume you can guess what “mama” means.) She also spoke Ukrainian, the local language of the non-Jews; Hungarian, the official language of the area at the time; Hebrew, which she learned in Hebrew school; and German, the prestige language of Eastern Europe at the time.
She came from the town of Yasina (here called Jasinja), in what is now called Transcarpathia. This area was part of Hungary before World War I, when my grandmother lived there. After World War I it became part of Czechoslovakia, though it was neither Czech nor Slovak. After World War II it became part of the Ukraine. I found a remarkable interview on Teen Ink, by “Lindsay K.,” of a man from the same town. Though a generation younger than my grandmother, his description of Yasina corroborates hers.
We used to have to chop wood for the stove in the winter to heat the house. Most of the time we didn't have enough wood, so the only room with heat was the kitchen.
One of my grandmother’s stories told how in the winter, they would close down most of the house and live in the one heated room.
In the winter, it was very dangerous to walk at night. There were no lights, and there were wolves.
Another story told how in the winter, the wolves would come down from the mountains, into town.
The bulk of the interview tells the harrowing story of the interviewee during World War II. Transcarpathia was taken back by Hungary, though its Jews weren’t given Hungarian citizenship. Ironically, because Hungary was an ally of the Nazis, Hungary’s Jews were spared deportation to the concentration camps until fairly late in the war. As a result 25% of them survived, a relatively high proportion. My grandmother’s parents, and many brothers and sisters were not among the lucky. The interview gives me an idea of their probable end.
The morning after our lamp was taken, we heard screaming outside. When we went into the street, we saw German and Hungarian soldiers throwing Jews out of their homes and herding them with sticks. The Jews lived in the main part of town, and the peasants, who lived up in the mountains, came down. The soldiers herded us with the rest of the Jews. My mother was wearing a thin dress and wanted to go back to get her coat, but they made her leave without it. They beat her because she asked to get it.They took us to the Jewish cemetery and shaved off the rabbis' beards. We were there for several days, guarded by the Hungarian townspeople who had been our neighbors and friends. There was a lot of screaming. They were going to kill us all with machine guns.
The interviewee, however, survived, and was able to tell his story:
We ran through the woods all night, hearing dogs barking and knowing that we were being chased. Eventually, tired and hungry and still in our striped uniforms, we heard the Russians at their front. We ran toward them with our hands up yelling, "Jew."The Russians put us up against a wall to shoot us, but one officer who was Jewish stopped them. He told us not to say we were Jewish, because the Russians hated us.
We were on our way again, cold, frightened and starving. We came to a farm and hid in the hayloft. At another deserted house, I found a black coat, hat and cane with a silver handle for the rabbi. He looked like a real rabbi again.
I wanted to get as far away as possible. We came to a railroad crossing and saw the engine coming. I told the rabbi to jump on the engine and hold on tight. When the train came, I jumped on but the rabbi did not make it.
Although we were both very weak, at 19, I could make the jump. The train traveled about two kilometers, and when I realized he was not there, I jumped off and walked back. I found the old man sitting in the grass, crying like a baby.
I never left him until we made it to Czechoslovakia. He was reunited with his oldest son in a small town there. We parted and he gave me a blessing. The year was 1945.
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Comment:My favorite artist is Renior,how about you?
Posted by: handmade painting at May 26, 2008 06:18 AM Permalink
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May 03, 2004
Evil
There are four kinds of evil in the world.
1. Corruption
2. Amorality
3. Evil for a good cause
4. Evil intent
All human institutions suffer to some extent from corruption, but for some of them, corruption is their primary purpose.
Most of the world’s regimes are corrupt.
The Roman Empire is an example of an amoral regime – it would do what was necessary to maintain its power – including genocide, but it did not pursue these methods when its power wasn’t threatened.
The Soviet Union is an example of pursing evil for a good cause. I consider this more immoral than amorality – both for the practical reason that it usually results in more evil than simple amorality (the “good” cause never goes away), but also because it confuses the thinking of good people, who find themselves unable to distinguish between the good and evil.
Nazi Germany is an example of Evil intent. The foundations of the regime – its declared purpose, its reason to be – was evil.
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Uh, David, how can you distinguish between 3 and 4? Have you read Mein Kampf, or even selected quotes from it? Hitler (ym"sh) thought he was doing the world a favor. And how could you say that communism is a "good" cause? Have you read any Marx? You didn't put quotes around the word "good," so are you implying that communism has some redeeming value in any way?! Communism, and it's (very) close cousin Nazism (National SOCIALIST German WORKER'S Party) are both intrinsically evil. There is not one redeeming feature of either (very similar) ideology.
Posted by: Scott at May 5, 2004 10:49 AM Permalink
Just came across this by accident as I was wanting to compare amorality and evil-or at least find a discussion of such a comparison.
I must say, though, that I strongly disagree as equating amorality as an evil.
Some of the most important philosophical systems have promoted amorality as a developmental neccessity (philosphical Taoism, Nietzsche) and I would tend to agree. Amorality is not evil and saying that it is a gross distortion. Amorality is not immorality.
Posted by: Paul at January 18, 2005 05:13 PM Permalink
My favorite artist is Renior,how about you?
Posted by: handmade painting at May 26, 2008 06:27 AM Permalink
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Vacation
I am taking three days vacation (starting today). See you Thursday!
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David,
A while ago, I wrote an essay on the Mona Lisa, published in the faculty bulletin of Brown University. I think you would enjoy reading it, and I'd love to hear what you think of it -- in your blog or otherwise:
www.engr.uconn.edu/~dqg/papers/mona_lisa.doc
Dina
Posted by: Dina at May 4, 2004 04:50 AM Permalink
My favorite artist is Renior,how about you?
Posted by: handmade painting at May 26, 2008 06:27 AM Permalink
Edward hopper paintings
Mary Cassatt paintings
gustav klimt paintings
oil painting reproduction
Oil Painting
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mark rothko paintings
Old Master Oil Paintings
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dropship oil paintings
Mediterranean paintings
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Alfred Gockel paintings
Alexei Alexeivich Harlamoff paintings
Aubrey Beardsley paintings
Andrea del Sarto paintings
Alexandre Cabanel paintings
Anders Zorn paintings
Anne-Francois-Louis Janmot paintings
Allan R.Banks paintings
Andrea Mantegna paintings
Arthur Hughes paintings
Albert Bierstadt paintings
Andreas Achenbach paintings
Alphonse Maria Mucha paintings
Benjamin Williams Leader paintings
Bartolome Esteban Murillo paintings
Berthe Morisot paintings
Cheri Blum paintings
Camille Pissarro paintings
Carl Fredrik Aagard paintings
Caravaggio paintings
Claude Lorrain paintings
Claude Monet paintings
Charles Chaplin paintings
Diane Romanello paintings
Diego Rivera paintings
Don Li-Leger paintings
David Hardy paintings
Dirck Bouts paintings
Dante Gabriel Rossetti paintings
Daniel Ridgway Knight paintings
Edmund Blair Leighton paintings
Eugene de Blaas paintings
Eduard Manet paintings
Edwin Austin Abbey paintings
Edward Hopper paintings
Edgar Degas paintings
Emile Munier paintings
Edwin Lord Weeks paintings
Fabian Perez paintings
Francois Boucher paintings
Frank Dicksee paintings
Ford Madox Brown paintings
Federico Andreotti paintings
Fra Angelico paintings
Frederic Edwin Church paintings
Frederic Remington paintings
Francisco de Goya paintings
Filippino Lippi paintings
Francisco de Zurbaran paintings
Gustav Klimt paintings
Georgia O'Keeffe paintings
Gustave Clarence Rodolphe Boulanger paintings
Guillaume Seignac paintings
George Owen Wynne Apperley paintings
Gustave Courbet paintings
Guido Reni paintings
George Inness paintings
George Frederick Watts paintings
Guercino paintings
Howard Behrens paintings
Henri Fantin-Latour paintings
Horace Vernet paintings
Ivan Constantinovich Aivazovsky paintings
Il'ya Repin paintings
Igor V.Babailov paintings
Juarez Machado paintings
Joan Miro paintings
Jean-Honore Fragonard paintings
Jehan Georges Vibert paintings
Jean-Baptiste-Camille Corot paintings
James Childs paintings
John Singleton Copley paintings
Joaquin Sorolla y Bastida paintings
Joaquin Sorolla y Bastida paintings
Joseph Mallord William Turner paintings
Julien Dupre paintings
Julius LeBlanc Stewart paintings
Jeffrey T.Larson paintings
Jean-Paul Laurens paintings
Jules Breton paintings
Johannes Vermeer paintings
Jacques-Louis David paintings
John Everett Millais paintings
James Jacques Joseph Tissot paintings
Jules Joseph Lefebvre paintings
Jean Auguste Dominique Ingres paintings
John William Godward paintings
John William Waterhouse paintings
John Singer Sargent paintings
Jean-Leon Gerome paintings
Lorenzo Lotto paintings
Louis Aston Knight paintings
Leon Bazile Perrault paintings
Leon-Augustin L'hermitte paintings
Lady Laura Teresa Alma-Tadema paintings
Louise Abbema paintings
Leonardo da Vinci paintings
Lord Frederick Leighton paintings
Mark Rothko paintings
Montague Dawson paintings
Mary Cassatt paintings
Maxfield Parrish paintings
Martin Johnson Heade paintings
Nancy O'Toole paintings
Philip Craig paintings
Paul McCormack paintings
Patrick Devonas paintings
Peder Mork Monsted paintings
Pierre Auguste Renoir paintings
Peder Severin Kroyer paintings
Pieter de Hooch paintings
Pietro Perugino paintings
Peter Paul Rubens paintings
Rudolf Ernst paintings
Robert Campin paintings
Rembrandt paintings
Raphael paintings
Salvador Dali paintings
Stephen Gjertson paintings
Sir Henry Raeburn paintings
Thomas Cole paintings
Theodore Robinson paintings
Titian paintings
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Ted Seth Jacobs paintings
Vincent van Gogh paintings
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Warren Kimble paintings
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William Etty paintings
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William Blake paintings
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May 05, 2004
Tribal and Individual
Amritas gives me his first in-context link. Needless to say, I am very gratified. He says:
David Boxenhorn made me see that humans are caught between being tribal animals and truly independent beings.
I started this blog because I wanted to communicate. Communicate what? Just communicate – humans are communicating beings, it is one of our defining characteristics. (This is one aspect of our tribal nature – individuals have no need to communicate.) However, if I were to pick one thing, it would be my worldview. I don’t have the time or inclination to sit down and write it out in one cohesive fell swoop – writing these short posts are enough of a challenge for me. But I’ve put a lot of time and effort into figuring out my worldview, and I hope that with the passage of time it will become clear.
I don’t know how Amritas meant his statement, but if I put on my western-culture hat for a moment, it sounds negative to me – it sounds like humans should strive to overcome their tribal past and be “independent beings.” To me, this is a lost cause – we can’t change our nature, and any attempt to deny it only makes us miserable.
Putting my own hat back on, it sounds different (perhaps this is what Amritas meant, too?) – humans are both tribal animals and independent beings. With the proper attitude, these two ideas are not contradictory.
אם אין אני לי מי לי
וכשאני לעצמי מה אני
Im eyn ani li mi li
Ukhshe’ani l`asmi ma ani
If I am not for myself who will be for me
And when I am only for myself what am I
This is deeper than it seems in translation. The Hebrew doesn’t use the word “only” in the second line; instead it uses two different words for “for myself”. The word it uses in the second line can also be translated as “by myself”.
The individual strengthens his individuality by strengthening the tribe, and the tribe strengthens its tribalness by strengthening the individual. This is no play on words, nor is it a ruse to fool people into supporting socialism – I most emphatically reject socialism as a dehumanizing idea. I also reject that stream of rational-individualist thought that denies our native tribal inclinations – that irrationally builds a system of values that is incompatible with human nature, and asks that we reject our nature in favor of “the truth”. I prefer what I might call a “neo-rational” solution, which satisfies both reason and human nature – my personal version of Occam’s razor – a truth that also makes us happy and psychologically healthy. According to this truth, being “caught between being tribal animals and truly independent beings” is not a curse, but a blessing. But more important, it is the truth that we must live with whether we admit it or not.
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My favorite artist is Renior,how about you?
Posted by: handmade painting at May 26, 2008 06:39 AM Permalink
Edward hopper paintings
Mary Cassatt paintings
gustav klimt paintings
oil painting reproduction
Oil Painting
handmade Oil Painting
mark rothko paintings
Old Master Oil Paintings
Nude Oil Paintings
dropship oil paintings
Mediterranean paintings
Oil Painting Gallery
Alfred Gockel paintings
Alexei Alexeivich Harlamoff paintings
Aubrey Beardsley paintings
Andrea del Sarto paintings
Alexandre Cabanel paintings
Anders Zorn paintings
Anne-Francois-Louis Janmot paintings
Allan R.Banks paintings
Andrea Mantegna paintings
Arthur Hughes paintings
Albert Bierstadt paintings
Andreas Achenbach paintings
Alphonse Maria Mucha paintings
Benjamin Williams Leader paintings
Bartolome Esteban Murillo paintings
Berthe Morisot paintings
Cheri Blum paintings
Camille Pissarro paintings
Carl Fredrik Aagard paintings
Caravaggio paintings
Claude Lorrain paintings
Claude Monet paintings
Charles Chaplin paintings
Diane Romanello paintings
Diego Rivera paintings
Don Li-Leger paintings
David Hardy paintings
Dirck Bouts paintings
Dante Gabriel Rossetti paintings
Daniel Ridgway Knight paintings
Edmund Blair Leighton paintings
Eugene de Blaas paintings
Eduard Manet paintings
Edwin Austin Abbey paintings
Edward Hopper paintings
Edgar Degas paintings
Emile Munier paintings
Edwin Lord Weeks paintings
Fabian Perez paintings
Francois Boucher paintings
Frank Dicksee paintings
Ford Madox Brown paintings
Federico Andreotti paintings
Fra Angelico paintings
Frederic Edwin Church paintings
Frederic Remington paintings
Francisco de Goya paintings
Filippino Lippi paintings
Francisco de Zurbaran paintings
Gustav Klimt paintings
Georgia O'Keeffe paintings
Gustave Clarence Rodolphe Boulanger paintings
Guillaume Seignac paintings
George Owen Wynne Apperley paintings
Gustave Courbet paintings
Guido Reni paintings
George Inness paintings
George Frederick Watts paintings
Guercino paintings
Howard Behrens paintings
Henri Fantin-Latour paintings
Horace Vernet paintings
Ivan Constantinovich Aivazovsky paintings
Il'ya Repin paintings
Igor V.Babailov paintings
Juarez Machado paintings
Joan Miro paintings
Jean-Honore Fragonard paintings
Jehan Georges Vibert paintings
Jean-Baptiste-Camille Corot paintings
James Childs paintings
John Singleton Copley paintings
Joaquin Sorolla y Bastida paintings
Joaquin Sorolla y Bastida paintings
Joseph Mallord William Turner paintings
Julien Dupre paintings
Julius LeBlanc Stewart paintings
Jeffrey T.Larson paintings
Jean-Paul Laurens paintings
Jules Breton paintings
Johannes Vermeer paintings
Jacques-Louis David paintings
John Everett Millais paintings
James Jacques Joseph Tissot paintings
Jules Joseph Lefebvre paintings
Jean Auguste Dominique Ingres paintings
John William Godward paintings
John William Waterhouse paintings
John Singer Sargent paintings
Jean-Leon Gerome paintings
Lorenzo Lotto paintings
Louis Aston Knight paintings
Leon Bazile Perrault paintings
Leon-Augustin L'hermitte paintings
Lady Laura Teresa Alma-Tadema paintings
Louise Abbema paintings
Leonardo da Vinci paintings
Lord Frederick Leighton paintings
Mark Rothko paintings
Montague Dawson paintings
Mary Cassatt paintings
Maxfield Parrish paintings
Martin Johnson Heade paintings
Nancy O'Toole paintings
Philip Craig paintings
Paul McCormack paintings
Patrick Devonas paintings
Peder Mork Monsted paintings
Pierre Auguste Renoir paintings
Peder Severin Kroyer paintings
Pieter de Hooch paintings
Pietro Perugino paintings
Peter Paul Rubens paintings
Rudolf Ernst paintings
Robert Campin paintings
Rembrandt paintings
Raphael paintings
Salvador Dali paintings
Stephen Gjertson paintings
Sir Henry Raeburn paintings
Thomas Cole paintings
Theodore Robinson paintings
Titian paintings
Theodore Chasseriau paintings
Ted Seth Jacobs paintings
Vincent van Gogh paintings
Vittore Carpaccio paintings
Warren Kimble paintings
Wassily Kandinsky paintings
William Etty paintings
William Merritt Chase paintings
William Blake paintings
Winslow Homer paintings
William Bouguereau paintings
Teleological Ideas
Scott writes:
Uh, David, how can you distinguish between 3 [Evil for a good cause – DB] and 4 [Evil intent – DB]? Have you read Mein Kampf, or even selected quotes from it? Hitler (ym"sh) thought he was doing the world a favor. And how could you say that communism is a "good" cause? Have you read any Marx? You didn't put quotes around the word "good," so are you implying that communism has some redeeming value in any way?! Communism, and it's (very) close cousin Nazism (National SOCIALIST German WORKER'S Party) are both intrinsically evil. There is not one redeeming feature of either (very similar) ideology.
My intent was not to compare Hitler and Marx, but to compare the movements they created, and especially the mindset of their followers. I know a lot of good people who were taken in by Marxist rhetoric precisely because they felt that people shouldn’t suffer poverty, and some people shouldn’t be richer than others. I cannot condemn these ideals as evil, and in a certain sense I share them myself. It becomes evil (and absurd) when you think that killing people is a legitimate method for achieving these goals.
Good people were taken in by communism because they couldn’t give up their teleological ideas (as Steven Den Beste would say) – it should be true therefore it must be true.
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